In a revealing and nostalgic conversation that has reignited discussions across Nigeria's vibrant music scene, popular artist Oladapo Daniel Oyebanjo, better known as D’banj, has opened up about the dramatic dissolution of Mo’Hits Records. The Koko Master, as he is affectionately called by fans, pinpointed his longtime collaborator and producer, Michael Collins Ajereh—widely recognized as Don Jazzy—as the sole architect behind the 2012 breakup that sent shockwaves through the African entertainment industry. Speaking candidly on the latest episode of the Mic On podcast, hosted by seasoned journalist Seun Okinbaloye, D’banj emphasized that the decision to part ways was "100 per cent" Don Jazzy's initiative, absolving himself of any role in the split while expressing enduring respect and camaraderie between the two.
The interview, which aired recently and has since gone viral on social media platforms, provided D’banj with a platform to revisit one of the most pivotal moments in his career. Mo’Hits Records, co-founded by D’banj and Don Jazzy in 2004, was more than just a label; it was a powerhouse that revolutionized Nigerian music. Under its banner, the duo propelled acts like Wande Coal, Dr SID, D’Prince, and the group D’Kings into stardom, blending Afrobeat, pop, and hip-hop influences to create hits that dominated charts not only in Nigeria but across the continent and beyond. Tracks such as "Why Me," "Pere," and "Booty Call" became anthems, cementing Mo’Hits as a symbol of creative synergy and commercial success. The label's abrupt end in 2012 left fans heartbroken and industry insiders speculating about ego clashes, financial disputes, and differing visions for the future.
D’banj, however, painted a picture of unilateral decision-making rather than mutual discord. "If I were to go back in time, I wouldn’t have done anything differently regarding my relationship with Don Jazzy, especially when the idea to go our separate ways didn’t come from me," he stated emphatically. "The idea to go our separate ways came from Don Jazzy which is why we are still cool." This revelation underscores the absence of lingering bitterness on D’banj's side. He portrayed the split not as a fallout born of animosity but as a respectful divergence prompted entirely by his partner's perspective. By attributing full responsibility to Don Jazzy, D’banj highlighted the maturity that has allowed their personal and professional bond to remain intact over the years. The two have occasionally collaborated post-split and publicly supported each other's endeavors, a rarity in the often cutthroat world of music partnerships.
One of the most surprising disclosures from the podcast was Don Jazzy's generous gesture following the breakup. D’banj revealed that his former partner handed over complete ownership of his entire catalogue. "Jazzy gave me 100 per cent of my catalogue and maybe 10 other songs I have not released," he shared. This act of goodwill included master recordings, publishing rights, and unreleased tracks, effectively granting D’banj full control over his artistic legacy from the Mo’Hits era. In an industry where catalogue disputes can lead to lengthy legal battles—think of high-profile cases involving international stars like Taylor Swift reclaiming her masters—Don Jazzy's decision stands out as a profound display of fairness and foresight. It allowed D’banj to monetize and repurpose his past work independently, contributing to his sustained relevance in the streaming age.
Reflecting on the journey, D’banj described the separation as a necessary evolution. "It was a journey for me, even though he had his opinion, I knew that we needed to cement that global movement and I’m glad that even after, God still did it for us with ‘Oliver Twist’, which was the last record we released together," he noted. "Oliver Twist," released in 2011 just before the official split, became a global smash, peaking at number one on the UK R&B chart and earning D’banj endorsements from international heavyweights like Kanye West, who signed him to G.O.O.D. Music. The song's infectious hook and dance craze exemplified the peak of Mo’Hits' magic, blending Nigerian flair with universal appeal. D’banj's pursuit of international stardom was a key factor in the tensions leading up to the breakup; he envisioned expanding the brand globally, while Don Jazzy reportedly preferred focusing on nurturing homegrown talent through what would become Mavin Records.
Despite the successes that followed—D’banj's solo ventures, endorsements, and ventures into agriculture and entertainment moguldom—he admitted to a singular regret, or rather, a poignant sense of loss. "The one thing I miss is the magic of making music with Don Jazzy," he confessed. That "magic" was the alchemy of Don Jazzy's meticulous production—layering beats with intricate melodies and samples—and D’banj's charismatic delivery, complete with his signature harmonica and energetic performances. Together, they created a sound that was innovative yet accessible, influencing a generation of artists from Wizkid to Burna Boy. The separation, D’banj stressed, was "destined to happen," allowing both to explore new paths. Don Jazzy founded Mavin Records, which has launched stars like Reekado Banks, Korede Bello, and Tiwa Savage, solidifying his status as Nigeria's premier hitmaker. D’banj, meanwhile, continued his "Koko" brand, releasing albums, hosting shows, and even venturing into philanthropy through his Koko Foundation.
D’banj's reflections extend beyond personal anecdotes to a broader commentary on legacy and growth in the music industry. He views the Mo’Hits era as an irreplaceable chapter that shaped Afrobeats' global rise. "Their impact together, especially at Mo’Hits, is a legacy he will always cherish," as summarized in the podcast highlights. The split enabled individual flourishing: Don Jazzy's Mavin became a talent incubator, while D’banj's international forays opened doors for Nigerian artists abroad. Yet, the interview evokes a sense of what could have been—a prolonged partnership that might have dominated even further.
This candid disclosure comes at a time when nostalgia for the 2000s and early 2010s Nigerian music golden age is at an all-time high. Fans on platforms like X (formerly Twitter) and Instagram have flooded timelines with throwback videos, debating the "what-ifs" of a Mo’Hits reunion. D’banj's words serve as a reminder that breakups, even in creative duos, need not end in acrimony. Instead, they can foster mutual respect and independent triumphs. As he put it, the separation was not an end but a redirection, guided by destiny and underpinned by unbreakable "coolness."
In an industry rife with rivalries, D’banj's grace in crediting Don Jazzy fully for the decision while cherishing their shared history offers a masterclass in professionalism. It also humanizes the icons behind the hits, showing that behind the glamour are real relationships navigating ambition and change. For aspiring artists, this story is instructive: partnerships can be fleeting, but the music endures. Mo’Hits may be history, but its echoes continue to inspire, proving that sometimes, going separate ways is the ultimate act of preservation.
The Mic On podcast episode has not only clarified long-standing rumors but also celebrated the enduring brotherhood between D’banj and Don Jazzy. As Afrobeats continues its world conquest, their story remains a cornerstone—a testament to talent, timing, and the power of letting go without grudge. With no signs of a full reunion, fans can at least revel in the classics and the knowledge that, in D’banj's words, "we are still cool."
